Abstracts of papers selected by the Academic Committee to be presented in the seventh edition of the Summer Conference

 

Exhibition: 

Two Worlds: Selections from the Borderland Youth Project

Jason Reed

Department of Photography,
Texas State University

and

Ryan Sprott

Department of Educational Leadership and Policy Studies 

University of Texas

 

Photo by Victoria Marquez, Big Lake, Texas

Two Worlds functions as a catalyst for an inclusive discourse on the idea of personal and collective identity in an increasingly flat world. Asking essential questions about where we come from, who we are, how we relate, how we live, and what we might become, the work challenges us to look at ourselves and deeply contemplate our own location in a rapidly changing world. The discussion presented by this exhibition is unique however, as the work comes from a participatory collaboration between young people and professional artists. This collaborative creativity has allowed for a shift away from the hierarchies intrinsic to modernist art practice and towards a contemporary social model that strives to gain its conceptual and aesthetic strength not from the singular actions of one, but rather the collective agency of many.

The text and photographs in this exhibition represent a small selection from a larger body of work completed in collaborative programs between professional artists (working for Borderland Youth at Texas State University) and young people in four communities across the Texas borderland region and Native American lands of New Mexico. And although the project was conducted within a region often narrowly defined by its Southwestern culture and heritage, we were able to work with a diverse group of young people with Native American, Latino, Anglo, and Filipino backgrounds as well as a large group of refugee youth from such countries as Sudan, Burma, Tanzania, and Thailand. This intriguing mixture of races, ethnicities, and life experiences was not a result of a necessarily concerted effort on our part, but rather the fact that these young people are representative of the global community that is at the core of contemporary life.

The process of collaboration we applied was based both on a specific conceptual framework that sought to explore certain consistent ideas throughout all of the programs as well as an organic, intuitive model of creation that allowed both the working methods and the end-products to be determined by our particular relationship with each group of young people. In each instance we approached the youth with the proposal to collectively explore ideas of self, family, and culture. We spent considerable time talking with the young people in both group and individual settings, as we jointly encountered the difficulties inherent with an introspective look at one’s own identity. We then facilitated the exploration of these ideas through photography and creative writing. We see the entire process as a collective conversation amongst us all—a reciprocal dialogue where authorial roles are ceded, narrative power is shifted away from traditional, hegemonic models through access, prospect, and collaboration, and a conceptual point of departure is established for complex questions about community, ethnicity, religion, storytelling, identity, and culture.

About Jason Reed

Jason Reed is currently Assistant Professor, Photography at Texas State University. He holds an MFA in Photography from Illinois State University and BA in Geography from the University of Texas-Austin. His personal photographic work explores the cultural landscape of the places he has called home (Texas, New Mexico, and Illinois). Particularly he is interested in how people create space for themselves, mark the land, and find comfort and value in the architecture of their daily lives. His work has been shown in solo exhibitions at the San Angelo Museum of Fine Arts, St. Edwards University in Austin, and this summer at the UTSA Satellite Space in San Antonio. Currently he is collaborating with refugee youth in San Antonio on a social art project that will be shown at Artpace in December. In addition he runs Borderland Youth at Texas State University

About Ryan Sprott

Ryan Sprott is a research assistant and doctoral student in Educational Leadership and Policy Studies at the University of Texas at San Antonio. He holds a MA in Curriculum and Instruction from Angelo State University and a BA in Spanish and English from Texas State University – San Marcos. He has taught social studies, language arts, and mathematics in Latin America and in West Texas. His research interests include language arts instruction, participatory action research, and the spatial translations of policy and practice.  Currently, as the field director of Borderland Youth, he is working on a participatory art project with students and families who are recent refugees living in Texas.

About the Borderland Youth project

Borderland Youth at Texas State University is a social art project that works collaboratively with communities of youth living in the US/Mexico border region to creatively reflect upon the cross-cultural, human experiences existent within this significant social geography. By utilizing participatory art practices we are able to create a public body of work that functions as a tangible mechanism to activate social awareness and provide access to a more realistic, complex, and complete story of the US/Mexico border and its residents while adding a rich new layer of personal, familial and cultural stories and perspectives to the collective archive of American life.  

 

 
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