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Abstracts of papers: The Chimalpahin Conference 2008: Colonial and Post-Colonial Remembering and Forgetfulness October 15 - 18, 2008
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Beyond
the Port of Antwerp, the Savages and their Women: The Violence, Intimacy,
and Sexuality of Colonial Power in the Belgian Congo Jean Muteba Rahier Florida International University Miami, Estados Unidos This work focuses on inter-racial intimacy in the
Belgian Congo (1908-1960) and during the short lived political entity that
preceded it, the Congo Free State (CFS) (1884-1908), which mostly
functioned as a private property of the Belgians’ king, Leopold II. Most people who have some knowledge about the CFS have read
Adam Hochschild’s King Leopold’s
Ghost (1998), which describes the abominable atrocities and violence
committed by Leopold’s agents during what they called “the campaigns
of pacification,” which supposedly took place against the Arabisés,
or “African Arabs” who were capturing “African animists” for sale
as slaves in the Middle East. Hochschild
and others revealed that these campaigns were actually often conducted
directly against “African animists” who were resisting the
exploitation by the CFS’s agents, who had for unique objective to
incorporate the Congo within a “world economy” centered on the trade
of mostly ivory and rubber. In Carnal
Knowledge and Imperial Power, Ann Laura Stoler (2002) uses mostly
archival documents that have recorded exclusively the voices and
perspectives of metropolitan society, the state, and white Dutch males, to
show how important the regulation and relative control of intimate
relations between colonizers and colonized was to imperial power.
With this research, my intention is to hopefully complicate
Stoler’s theorizing of “intimacy” by listening carefully and
examining both indigenous (and mostly female) individual perspectives and
voices, which were only very marginally recorded in the colonial archives,
and individual white male colonizers’ experiences that are, unlike the
formers, all over the colonial archives.
My primary objective is to uncover the “microphysics of colonial
power,” that is to say the micro-dimensions of the practice of colonial
power in the interactions between colonizers and colonized.
This brings the discussion close to the notion of power and its
microphysics as conceptualized by Michel Foucault, for whom power is in
permanent circulation: it is not exclusively monopolized by a center, but
is on the contrary diffused through an organization that appears as a
network. This suggests that both dominants and oppressed are involved
in its circulation because it permeates all levels of society, as much in
the spheres of family life and sexuality than in the public spheres of
politics, economics, and the law. As
Foucault explained, power is not only repressive, it is also productive:
it takes us over and produces, among other things, pleasures, particular
kinds of emotions and relationships, forms of knowledge, and discourses.
This comes with a series of important questions: How have white
Belgian colonial males on one hand, and Congolese colonized women on the
other, managed to navigate the particular contexts of Leopoldian and later
Belgian colonialism to establish what have sometimes been relatively
durable relationships? What was the level of emotional interaction between
them? Was something resembling western romantic “love” possible at all
in this inter-cultural interface marked by unequal concentrations of
power? If western romantic
love wasn’t possible, then what was there instead?
Etc. I will suggest elements of answer to these questions
with a close examination of the story of a CFS agent, Clément Brasseur,
who was involved in the most brutal acts of repression against African
animists at the same time that he maintained a close relationship with an
African woman, his concubine, with whom he had a mulatto child, Léon, to
whom he left most of his wealth when he died in the Katanga in 1897.
I have consulted—among other documents—Clément Brasseur’s
private papers held in the archives of the Royal Museum for Central Africa,
in Tervuren, Belgium. About Jean Muteba Rahier Jean Muteba Rahier was born in the Congo from a
Congolese mother and a Belgian father.
He received his Ph.D. from the Université de Paris X, in Nanterre,
France. He came to FIU in
August 1998 from Louisiana State University, where he taught for 6 years
in the Department of Geography & Anthropology.
At FIU, he has been an Associate Professor of Anthropology and
African-New World Studies (ANWS) and has served as ANWS Graduate Program
Director, ANWS Acting Director, and Department of Sociology &
Anthropology Graduate Program Director.
He has been appointed Director of ANWS in July 2008. He is the author of La Décima: Poesía Oral Negra del Ecuador (Quito, Ecuador:
Abya-Yala, 1987) and the editor of Representations
of Blackness and the Performance of Identities (Westport: Bergin &
Garvey, 1999). He also edited
with Percy Hintzen Problematizing
Blackness: Self-Ethnographies by Black Immigrants to the United States
(Routledge, 2003). He has authored a series of articles and book chapters,
and has published in the American
Anthropologist, the Journal of
Latin American Anthropology, Current
Anthropology, Research in
African Literatures, Estudos
Afro-Asiáticos, Cadernos de Antropologia e Imagem,
Women and Performance: A Journal of
Feminist Theory, Íconos,
etc. He is fluent in French,
Spanish, and Portuguese and was, from January
2002 until the summer 2007, the Editor of the Journal
of Latin American and Caribbean Anthropology: the peer-reviewed
journal of the Society for Latin American and Caribbean Anthropology (within
the American Anthropological Association).
He is completing revisions to a book manuscript on the
Afro-Esmeraldian Festival of the Kings in Ecuador, which is forthcoming at
the University of Illinois Press. The
same press is also considering for publication a volume he has co-edited
with Percy Hintzen and Felipe Smith entitled Global Circuits of Blackness: Race,
Space, Citizenship, and Modern Subjectivities.
His next big projects focus on the
diversity of black subjectivities in South Florida, and on inter-racial
intimacy in the Belgian Congo. The
latter pays careful attention to the intersections of race, power, and
sexuality in the context of Belgian colonization of the Congo, and
involves both interviews and archival work.
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