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Christmas Presence: Narrativity and the Santa Claus
Myth
Adam Cantor
McGill
University, Montreal (Canada)
Department of
Art History and Communication Studies
What is the nature of the Santa Claus myth? Is it an innocent
remembrance of childhood past or is it an unconscious espousal of
religious/corporate doctrine? If the latter, then is there anything to be
salvaged from the myth? If there is anything to be salvaged then is it
worthwhile to teach this myth to children (or to lie to them about
anything like this?).
Given the mass presence of Santa Claus in the media, can the myth even
be avoided? Grounding itself in Bhabha's idea of performance and
preservation and in discussion of narrative by Peter Brooks, Walter Ong
and others, this work considers the process of the performance of the myth
of Santa Claus from the initial childhood stage through to adulthood.
Santa Claus' myth is realized through a series of life long repetitions,
some imaginary some physical, that fit significantly into the larger
pattern of North American life.
The performance of the myth is fascinating in that it can only be
created through an oral improvisation based on a limited number of key
images existing in the public imagination (I identify these as: Santa in
his workshop making toys/ Santa in his sledge flying over the heavens with
his sack of toys/ and Santa going from the rooftop to the chimney to the
Christmas tree to deliver presents…from these a story specific to each
household and using the specifics of each household must be created by the
teller for the specific child).
The very nature of the telling, though, will lead to the destruction of
Santa, as the child begins to pick out logical fallacies (here I shall
describe my own tragic loss of the jolly fat man from my childish
pantheon). Thus, it is in the very nature of the creation of the myth that
its destruction is sewn. Yet the destruction is never total, the telling
and performance of the myth is always reborn in the mind of the next
generation. Truly, an individual merely goes from being a believer in the
physical Santa to a believer in the idea of Santa.
About Adam Cantor
A PhD Candidate at McGill University in Montreal, I completed my MA
at York University with the project: Pig/Human Transformation in the
Odyssey, Animal farm and Beyond. I have recently returned from a stint
living in Panama and prior to this I also worked for some time in the
rural development field in India. I am also a classically trained sitar
player who has studied fourteen years under Usted Shambhu Das. I am a
not bad cook.
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